Monthly Archives: May 2017
“We’re here,” Lovell said. “Remember that the Professor might not be what you expect.”
“An eccentric professor?” I said. “What are the odds?”
“Just let me do the talking.” He pulled a handle by the door and a bell rang somewhere inside the cottage. It had taken me much guile, and not a little expense, to persuade Lovell to effect an introduction to the mysterious Professor Cuthbert. Many of the incredible inventions that we now take for granted as we approach the twentieth century originated in the mind of the reclusive Professor; the fountain pen and the gramophone to name but two miracles of the modern age.
When Lovell had told me at the club that he knew the Professor personally, I was determined to elicit an invitation to visit. Who would not want to encounter such a remarkable mind? To ask a hundred questions, and perhaps be made privy to what was coming next? It had taken me no little time, but finally Lovett had agreed to take me to see the Professor, and after a long railway journey and a bumpy ride in a brougham, we stood before the front door of a small country cottage in rural Suffolk.
In response to a second tug of the bell-pull, the door opened to reveal a woman with a cloud of grey hair held flat by a pair of goggles pushed back over her forehead. She wore a leather apron, a man’s shirt and trousers, and she held a hammer in her left hand. She seemed to me to be very old indeed, perhaps even into her fifties.
“Jamie!” she cried to Lovell, “How lovely to see you!” Her lined face crinkled even more as she smiled broadly.
“Good afternoon, Catherine,” Lovell said. “I hope you don’t mind, but I’ve brought along a friend who has been dying to meet you.”
“Not at all,” the woman said. “You’re just in time for afternoon tea. There are more than enough scones to feed a regiment. Do introduce me to your chum, dear boy.”
“Of course,” Lovell grinned at my shocked expression. “Catherine, I would like to introduce you to my friend, the right honourable Cecil Tilbury Moffat. Cecil, please meet Professor Catherine Cuthbert.”
“But you’re a woman!” I blurted out.
“He’s very observant, isn’t he?” Professor Cuthbert said to Jamie.
“Don’t let that vacant expression put you off, he really is a big admirer of your work. Cecil, where are your manners? Doff your hat.” I lifted my topper absent-mindedly, staring at the woman in front of me.
“Is that so, Mr. Moffat?” the Professor asked. “Which of my inventions caught your interest first?”
“You’re wearing trousers!” I babbled. The Professor and Lovell burst into laughter
“Come,” the Professor commanded. “You have arrived at an opportune moment. I am in sore need of a person of just your height to test my latest invention. And then we shall have scones.” She led us around the house and through a back-garden jungle to a large wooden shed. Projecting horizontally out of the left wall of the shed was what appeared to be a garden fence, clearly very securely attached for it stuck out some six feet above the flower beds. Professor Cuthbert struck a pose as if demonstrating a particular clever trick performed by a music hall prestidigitator.
“Ta da!” she said. I stared at her. “Well?” she asked. “What do you think, Mr. Moffat?”
“It’s … a very nice shed.” I was bewildered. Lovell had warned me of eccentricity, but even so. The Professor sighed and stood normally.
“Put him straight, Jamie,” she said. Lovell grinned. He was enjoying my discomfort far too much.
“This shed,” he said, indicating the shed, “is not a shed. This is Professor Cuthbert’s remarkable vessel to facilitate the exploration of the echoing cosmos above our heads.”
“What?” I said. I realised that perhaps that was not the considered response that might be called for, so I spoke again. “No, what?” I said.
“Young man,” Professor Cuthbert said. “This is an airborne vessel. It uses the invisible power of magnetism to free it of the bonds that bind us to this earth.”
“It’s made of wood.” I suggested, helpfully.
“Yes, well spotted, for a metal vessel would interfere with the magnetic forces needed to lift it beyond our atmosphere. This, my deliciously vacant chap, is a craft that will travel into space itself. A space-ship, if you will.”
“A space-shed?” I ejaculated.
“Ship,” said Lovell. “Space-ship.”
“Now, young man,” the Professor said. “Would you be so kind as to do me a favour? Would you please enter the craft and sit in the pilot’s seat? Jamie is way too tall, and it is imperative that I adjust the outer buoyancy cogs to allow for the weight of a passenger.”
“And then shall we have scones?” I asked.
“And then scones, yes,” she said.
“Very well,” I agreed. “What would you have me do?”
“Go inside, and sit in the seat before the window. Put on the air-helmet that you will find there, and then just sit back and enjoy the pleasant view that you will have of my cherry tree.”
“That’s all. I shall make my adjustments, then call you out for scones once I have finished. Whatever you do, however, do not touch the red lever.”
“I shall certainly venture nowhere near any levers, madam,” I promised. I entered the shed, and wound my way through a clutter of equipment to what was clearly a captain’s chair by the shed window. On the chair sat a large glass bubble, presumably the Professor’s air-helmet. I removed my hat and put the helmet over my head. It was surprisingly comfortable, although it took some time to get the thing the right way round so that I could see. I sat in the captain’s chair and looked out of the window.
The Professor’s cherry tree was nowhere to be seen. The Professor’s garden was nowhere to be seen. The shed now hovered high in the arched heavens. Miles below a vast sweep of sunlit cloud swept across the surface of the planet. Somehow, I was now many leagues above Suffolk. But … how? I lifted my top-hat from the hat-peg. The red hat-peg. Or, as I now realised it must be, the red lever. I had inadvertently launched the space-shed with my hat.
What next? I had no idea, but now that they were out of my reach I truly fancied a scone.
”But Wombie,” I hear you ask, “How on earth did that picture inspire this story? What has a jetty to do with a Victorian inventor?” When you get no inspiration, try a different angle – I just flipped the picture … and there my tale was: a wooden spaceship floating above a cloud-cloaked planet. Tricksy.
Yes, yes, I know you could go check the “Buy my books” page, but to be honest can any of you be arsed to do that? I doubt I’d bother. With that thought in mind, here’s a list of my published books so far (of course there’s much more Wombie out there in Kindle standalones, stories in magazines & the like, but it would take YONKS to list them). If you fancy reading any of these books, find them on Lulu or Amazon. If you already HAVE read any, thank you and I love you and please leave a review somewhere.
WARREN PEACE: Novel. The Magnificent 7 with fur. “Warren Peace got me through the day”.
FOG: Novel. Sexy, funny, violent – Best Mystery, 2016 #Siba Book Awards. “Had me gripped from page one”.
CUBIC SCATS: Essays. A smorgasbord of Northcentric nonsense & recipes. “Where did you put the bread knife?”
MOTH GIRL v THE BATS: Novella. Steampunky sci-fi fun. “There’s a real excitement to this work”.
BLOOD ON THE GROUND: Short stories. A dozen dollops of wicked whimsy. “Good reading even for a scary cat like myself”.
SOUL OF THE UNIVERSE (editor): Stories inspired by music. “This collection will captivate you, pervade your senses and absolutely enchant you”.
CUTTHROATS AND CURSES (editor): An anthology of pirates. “The greatest assortment of pirate stories anywhere”.
MURDER AT WOMBAT TOWERS: Private novel with a limited print run.
HUMAN 76 (editor): Collaborativer. Fourteen authors take you on an unprecedented post-apocalyptic journey. “Thought-provoking, layered: a real gem”.
THE MUSEUM OF WHITE WALLS: Forty-one monkeybonkers tales & three poems. “The only book for you if you want to see this quote on the back cover”.
A short love story for Miranda Kate’s Midweek Flash Challenge.
I first met Midge beneath the Timothy Whites clock about a week ago. In the blackout it is sometimes difficult even to see your own hands, let alone other people’s, and she’d walked right into me. It was the first night of my week’s leave, and I was lonely as hell. When your whole life consists of sitting in a Halifax bomber with six other chaps, interlaced with periods of drinking yourself semi-conscious in the company of those same men, going on leave comes as a bit of a shock to the system. It’s hard to know what to do with the silence, for a start.
I am the bomb aimer; the bod who actually pushes the button to drop the bomb. I must admit I’ve never thought too deeply about what I do. I push a button, the bomb slides silently through the darkness, and an orange flower blooms below to delight the stars that look down. The thought that there might be people down there has never entered my head.
That evening I’d been to the cinema to see ‘The Stars Look Down’; a slow film about injustices in the mining community. Margaret Lockwood is in it, but even her considerable charms had proved insufficient that night to retain my interest, and I’d left half way through. The blackout was in full force, but a hazy half-moon cast enough of a glow to see. Or so I thought. Her fists caught me full in the family jewels, and I’m afraid to say I let out rather a girlish squeak.
“Oh, I’m terribly sorry,” she said. “I didn’t see you. Is that an RAF uniform? Very good for hiding in the shadows, isn’t it? I usually carry a little torch, but the battery ran out.” I fell in love with her voice before I even saw her face. And her scent; a heady crescendo of sandalwood, amber, clove and bergamot.
“Are you quite alright, Miss..?” I left the question there for her to answer, or not. My heart did a little twist when she did.
“My name’s Midge,” she trilled. “Well, it’s Margaret really, but that’s only ever used by Mother when I’m in her bad books.”
“Flying Officer Hillary Fields,” I bowed, though I doubt she could see.
“Well now, Flying Officer Hillary Fields, perhaps you might assist a lady in distress? I seem to have got myself turned around in the dark. I was trying to find the cinema.”
Squadron Leader Charlton always berates me for my reticence with ladies; for not grasping opportunity when it is presented to me. “War is the biggest uncertainty there is, Hills, my boy,” he’d said that very morning, “and in uncertainty lies endless possibility. Promise me, when you’re in The Smoke you’ll grab the very next opportunity that presents itself.”
With these words in mind, of course I turned on my heels and escorted Midge to the cinema. Of course I paid for us both to go in and watch the film that I’d walked out of an hour previously. And of course I saw her home safely afterwards, and arranged to meet her at a small cafe the following afternoon.
Every day after that we met beneath the Timothy Whites clock. We visited art galleries, museums, and more than one cinema; Midge had a bit of a thing about Michael Redgrave. One sunny day we went boating, and one evening we even went dancing. Me, dancing! This woman had freed a pilgrim soul in me that I did not know existed. Over the course of six days I fell for Midge hook, line and sinker. This very afternoon I bought a ring from a backstreet jeweller in Soho, and had smiled to imagine Midge’s face when I dropped to one knee to present it to her. I heard the bomb go off, funnily enough, a low muffled roar beneath the traffic noise as I left the jeweller’s. Just the one bomb, most likely dropped by a straggler from a raid many miles away.
The Timothy Whites clock was shattered, though half of the face still clung defiantly to the remains of the brickwork. The Timothy Whites building itself had been transformed into rubble. Midge, who had been waiting for me as usual beneath the clock, had been ripped apart as a German pushed a button, letting slip a bomb into the darkness, and an orange flower bloomed below him. War doesn’t even know that we’re here, and it won’t notice when we go. War is uncertain, and the stars look down upon the tatters of my dreams.