Beneath the Clock at Timothy Whites
A short love story for Miranda Kate’s Midweek Flash Challenge.
I first met Midge beneath the Timothy Whites clock about a week ago. In the blackout it is sometimes difficult even to see your own hands, let alone other people’s, and she’d walked right into me. It was the first night of my week’s leave, and I was lonely as hell. When your whole life consists of sitting in a Halifax bomber with six other chaps, interlaced with periods of drinking yourself semi-conscious in the company of those same men, going on leave comes as a bit of a shock to the system. It’s hard to know what to do with the silence, for a start.
I am the bomb aimer; the bod who actually pushes the button to drop the bomb. I must admit I’ve never thought too deeply about what I do. I push a button, the bomb slides silently through the darkness, and an orange flower blooms below to delight the stars that look down. The thought that there might be people down there has never entered my head.
That evening I’d been to the cinema to see ‘The Stars Look Down’; a slow film about injustices in the mining community. Margaret Lockwood is in it, but even her considerable charms had proved insufficient that night to retain my interest, and I’d left half way through. The blackout was in full force, but a hazy half-moon cast enough of a glow to see. Or so I thought. Her fists caught me full in the family jewels, and I’m afraid to say I let out rather a girlish squeak.
“Oh, I’m terribly sorry,” she said. “I didn’t see you. Is that an RAF uniform? Very good for hiding in the shadows, isn’t it? I usually carry a little torch, but the battery ran out.” I fell in love with her voice before I even saw her face. And her scent; a heady crescendo of sandalwood, amber, clove and bergamot.
“Are you quite alright, Miss..?” I left the question there for her to answer, or not. My heart did a little twist when she did.
“My name’s Midge,” she trilled. “Well, it’s Margaret really, but that’s only ever used by Mother when I’m in her bad books.”
“Flying Officer Hillary Fields,” I bowed, though I doubt she could see.
“Well now, Flying Officer Hillary Fields, perhaps you might assist a lady in distress? I seem to have got myself turned around in the dark. I was trying to find the cinema.”
Squadron Leader Charlton always berates me for my reticence with ladies; for not grasping opportunity when it is presented to me. “War is the biggest uncertainty there is, Hills, my boy,” he’d said that very morning, “and in uncertainty lies endless possibility. Promise me, when you’re in The Smoke you’ll grab the very next opportunity that presents itself.”
With these words in mind, of course I turned on my heels and escorted Midge to the cinema. Of course I paid for us both to go in and watch the film that I’d walked out of an hour previously. And of course I saw her home safely afterwards, and arranged to meet her at a small cafe the following afternoon.
Every day after that we met beneath the Timothy Whites clock. We visited art galleries, museums, and more than one cinema; Midge had a bit of a thing about Michael Redgrave. One sunny day we went boating, and one evening we even went dancing. Me, dancing! This woman had freed a pilgrim soul in me that I did not know existed. Over the course of six days I fell for Midge hook, line and sinker. This very afternoon I bought a ring from a backstreet jeweller in Soho, and had smiled to imagine Midge’s face when I dropped to one knee to present it to her. I heard the bomb go off, funnily enough, a low muffled roar beneath the traffic noise as I left the jeweller’s. Just the one bomb, most likely dropped by a straggler from a raid many miles away.
The Timothy Whites clock was shattered, though half of the face still clung defiantly to the remains of the brickwork. The Timothy Whites building itself had been transformed into rubble. Midge, who had been waiting for me as usual beneath the clock, had been ripped apart as a German pushed a button, letting slip a bomb into the darkness, and an orange flower bloomed below him. War doesn’t even know that we’re here, and it won’t notice when we go. War is uncertain, and the stars look down upon the tatters of my dreams.