Category Archives: Cover
One problem with publishing a collection of forty-one disparate short stories (and three poems!) is deciding what to do with the cover. Do you clutter it with references to every story, or just pick a few items? I decided to go a third way, and just embrace the title story. When Thom White graciously agreed to continue our association for a fifth book, I specified “spare, simple, almost brutalist” for the cover. Here’s what he made:
He did a brilliant job. I love how the fold between front cover and spine form the corner of a wall spattered with blood. That wonky ‘THE’ emphasises the original subtitle of this book: forty-one tales of a world askew. It’ll certainly stand out amongst a slew of other covers on Amazon, and be easy to find on your bookshelf. Notice also that my running man motif continues, here making his first appearance on the spine.
“The Museum of White Walls” will be available on Saturday, for Kindle and in paperback from Lulu (then a few days later on Amazon when it filters through). Thom, you talented bugger.
Take a photograph that you could use for the cover of your first (or third, if you’re @rachaelkanute) album. Post your pics to Twitter on Sunday (including the hashtag #SUNDAYPIXalbumcover in your tweet) and enjoy the hashtag countdown. It’s entirely up to you whether you crop it square, but it would look more like. It’s also up to you whether you add text, as I have in the second example of @phantom_blonde’s pic. As ever, photographs must be yours (or your family’s or your secret lover’s) – nowt just nicked off the internet. Yes, you can post an old pic you’ve previously taken, or even one from your family history. Follow the hashtag (click on it in any tweet or add a column to your app) on Sunday to see what others have made of the theme. You are encouraged, nay ordered, to comment on other Sundaypickers’ tweets and admire.
Here’s another quick one I knocked up from a photo of me in the Sixties –
Isn’t it beautiful? Don’t you want to stroke it, feel the wood beneath your fingers*? Click on the picture there to revel in the luxury of a larger image. I proudly present for your delectation the cover of my new book of short stories, available in paperback in but a few days. A Kindle version will follow thereafter. As ever, Mr. Thom White has done a superb job, once again producing not only a book cover but a work of art.
“Help yourself to a dozen dollops of whimsy from Michael Wombat, shortlisted for the HNS Short Story Award 2014. From cowboys to dragons, from hilarity to horror, this cornucopia of diverse adventure will absorb, amuse, thrill and terrify you. You know, I hate writing back cover blurbs. All that snappy ‘Blurbspeak’. This one’s rubbish, isn’t it? “Dollops of whimsy” sounds like the sort of Edwardian novel where nothing happens, and keeps on happening. ‘The Dollops of Whimsy End’, a new novel from Mr. Michael Wombat (not really).”
Anyway, get this book. You’ll really enjoy the stories inside it.”
Observant readers will know already of the running man that adorns several of my books. On the left you can see his debut on the cover of the paperback version of Fog. He also popped up on the back cover, legging it frantically across the barcode, as indeed he did on the back cover of the Fog Special Edition hardback, although the rather wonderful front cover design of that edition from Thom White meant he had to bow out there.
We couldn’t keep him away for long, though, and when Moth Girl versus The Bats appeared, again with a Thom White cover, there he was again, tirelessly scampering across the barcode. People began to notice him, and asked why he wasn’t on all my books. The answer is that he marks a Wombat book with a Thom White cover. Except Cubic Scats, because we hadn’t thought of it yet. Thom is a remarkably talented designer who has the rare knack of capturing the feel of a book in a deceptively simple manner. His covers greatly add to the quality of my work, and his covers are real works of art. Who wouldn’t want a poster of that Moth Girl cover?
Running man fans who are looking forward to his next appearance will not have much longer to wait. Take a look on the left. There he is from the cover of my new collection of short stories, ‘Blood on the Ground’, which will be published early next week. I will reveal the full cover here later today, but for now do you notice anything different about our running man?
Ahoy, swashbucklers, you need tarry no longer, for Cutthroats & Curses: an Anthology of Pirates is out now and just itching to shiver your timbers.
What’s that I see on the cover? A dragon? And look! A web-fingered denizen of the oceans! A cool-as-fuck female pirate! And treasure, and tropical islands, and hey – could that book be a map wherein X marks the spot? Be excited, you swabs, for the stories collected herein play fast and loose with their uniting theme of piracy, and will take you on a voyage to places beyond your salty imagination.
Featuring ten of the finest indie writers around –Lisa Shambrook, Boyd Miles, Marissa Ames, Bryan Taylor, Beth Avery, Matt Jameson, Eric Martell, Michael Walker, Stephen Coltrane, and Alex Brightsmith – and me, this treasure will delight everyone.
And, before you landlubbers leave, check out The Anthology Club‘s excellent debut release ‘Soul of the Universe’ :
‘This collection was absolutely breathtaking, and has introduced me to some new genres I wasn’t overly familiar with, and showed the extraordinary range of writing styles that all bring their own meaning to a story.’
‘Soul of the Universe is a collection of stunning short stories that can leave you smiling, crying or just in a state of wonder.’
I can’t show it to you yet because it won’t be officially revealed until tomorrow, but at a private viewing of the cover design for my new Anthology Club collection, these were the responses:
“I adore this cover. It’s a work of art.”
“Fab! Major props to Kit Cooper for this cover.”
“I love this!”
“It’s a perfect fit for the Soul of the Universe Anthology.”
“Congrats to Kit, this is beautiful!”
“I absolutely love that cover.”
These are all the reactions to a remarkably good design; they were all positive without exception. I think you’ll like it too.